Leave it to the creator of Skims shapewear to show up at the Met Gala looking like an ad for it. Although Kardashian ’ sulfur arm accessory, Pete Davidson, was noteworthy in his own correct, making one of his foremost red carpet appearances aboard Kardashian, it was the vintage nude Jean-Louis nightgown — the lapp one break by Marilyn Monroe in 1962 when she sang “ Happy Birthday ” to President John F. Kennedy — that caused a stir on the loss rug. When Kardashian beginning tried on the dress, she told Vogue, it didn ’ deoxythymidine monophosphate fit. “ I said, ‘ Give me three weeks, ’ ” she said, and finally lost 16 pounds to wear the dress to the Met Gala. As her baby Kourtney noted in her own interview with Vogue, Kim was dressed and styled for the consequence in a top-secret location .
The “ Bodak Yellow ” rapper embraced the “ gilded ” character of Gilded Age. so long as gold is involved, she said, “ it can be any era for me. ” And, belly laugh, was gold involve. Her Versace apparel was made from closely a kilometer ’ s worth of seven unlike types of gold chains .
Holding a amber flute, the “ Truth Hurts ” singer stunned in a flow vest with intricate gold embellishment that took more than 1,000 hours to make. Designer Thom Browne told Vogue that it was “ one of the most beautiful things I have done for person. ”
Kylie Jenner wore an bone concoction straight out of a ’ 90s adolescent babysitter ’ s Barbie fantasy marry : an elegantly floof-y white ballgown skirt on the bottom with a bluff white T-shirt silhouette and backward baseball cap on top .
Clad in a bright blush catsuit and a wonderfully puffer-jacket-meets-royal-mantle dress of the lapp tinge, supermodel Gigi Hadid probably found herself perfectly cozy on an unseasonably chilly evening in New York in this Versace corps de ballet .
Megan Thee Stallion
Although she roved the red carpet with a crew of other entertainers dressed in Moschino, the knocker set herself apart in a bejewel gladiatorial nightgown with golden feathers adorning her shoulders .
The Roots musician and recent Oscar winner said he was taking a “ different angle on Gilded historic period ” with his kit, which is “ representing african american people living in the Reconstruction Age. ” He said the Zegna expression was besides a protection to André Leon Talley, who became the first Black male creative film director of Vogue in 1988 and died this year .
Will the real Jared Leto please stand up ? Earlier in the evening, everyone confused Fredrik Robertsson for the actor. Making the confusion even more ironic is the fact that Leto actually came dressed the same as person else. He and Gucci graphic designer Alessandro Michele wore matching beige dinner jacket with black gloves, sunglasses, crimson submit ties and hair clips in their flow locks — making them about identical from each other .
No, this is not actor Jared Leto in an bizarre get-up — though you wouldn ’ t be alone in thinking then. It is actually fashionista Fredrik Robertsson. In fairness, the outfit — which some described as looking like “ pisces bones ” and others likened to “ porcupine couture ” — does seem like something Leto might wear .
It ’ s a bold travel to double down on silver on a night with the parole “ gilded ” in its theme. But for anyone who ’ south listened to a radio receiver in the past 13 years, Alicia Keys ’ s Ralph Lauren gown and black cape with the Manhattan skyline glittering on its train — an court to the city at the heart of both Gilded Age tempt and Keys ’ south hit single — made perfect feel .
The australian actor, who broke out last class in Jane Campion ’ s “ The office of the Dog, ” showed up in vintage Cartier and Bottega Veneta. Wearing unbelted bluing jeans, elbow-length leather crimson gloves and a diamond bolo link, he cheekily said he was celebrating casual Fridays.
The early secretary of department of state wore a wine Joseph Altuzarra trim embroidered with the names of women from U.S. history who inspire her — including Abigail Adams, Sacagawea and Madeleine Albright .
The singer was a sight in white on the bolshevik carpet, wearing a Prabal Gurung nightgown and ashen stiletto nails with white appliqués. Her pops of color : sprays of finespun flowers in her hair and on her full-dress .
The mayor of New York City arrived on the red rug wearing a long-tailed black dinner jacket coat with “ end Gun Violence ” embroidered on the back, along with mural-like artwork trailing down toward the floor. The expect was designed by Laolu Senbanjo, a nigerian ocular artist and performer, the New York Times reports .
In a bracing rendition of the night ’ sulfur root, actor Riz Ahmed wore an ensemble inspired by the wage-earning immigrants of color who, as he put it, helped make the Gilded Age fortunate. Ahmed paired boots and an open black job coat with jewelry evocative of his mother ’ randomness solicitation, he said, inspired by the traditional jewelry of Hyderabad, India .
Fresh off an impressive sweep at the Grammy Awards for Silk Sonic, his ebullient ring with Bruno Mars, Paak danced his way down the red rug in a very Paak-like corps de ballet : John Lennon-esque sunglasses, a short black bobsled wig, black leather pants and a colored jacket. “ I used to shop Burlington Coat Factory, ” he said. “ nowadays I ’ m Gucci from head to toe. ”
The actress and singer stunned with a sleek, backless floor-length Ralph Lauren gown — shimmering with white flecks like a star-studded flip — and a black-and-white strip headdress with stand-alone cuffs to match .
honorary co-chair Anna Wintour raised eyebrows in her colorful, featherlike Chanel frock designed by Virginie Viard, which looked strikingly like to her 2019 Met Gala expression. But a close up inspection reveals a few differences — namely the inclusion body this year of a tiara that ’ south reportedly a class heirloom .
Blake full of life
When Met Gala co-host Blake Lively unfurled her equip on the bolshevik carpet and revealed this aglitter, dramatic Atelier Versace in copper and light green, onlookers applauded. Her bicep-length gloves seemed to nod to the modest elegance of Gilded Age New York — though one has to imagine a dress like this one, with a full cathedral train, might distract from the independent event if it appeared in one of Edith Wharton ’ s opera boxes. alert told Vogue that the trim, and the uncover that unleashed its mint-hued skirt, was inspired by the Statue of Liberty — which is bull and has oxidized over the years to its celebrated park patina. Her seven-pointed headdress, excessively, was an court to the alike one break by Lady Liberty .
Feathers, lace, a towering headdress of artfully twisted linens — when it came to textures, singer and actress Cynthia Erivo ’ s gleaming white Louis Vuitton ensemble said yes to everything. With its drop shank and streamlined sleeveless silhouette, this nightgown infused elements of the Roaring ‘ 20s into the nox ’ second “ gilded hex ” theme .
Wearing a bluff black Moschino gown with a stunning lace train that trailed long behind her, Vanessa Hudgens earned the nickname “ butterfly of death ” in a tweet from BuzzFeed. The wall socket then enjoyed the ensemble that it besides offered a strange invitation to the actress : “ and you can kill me. ”